Cried for TRP: Debt-ridden man who went viral accuses channel of manipulation for viewership | WATCH

New Delhi: A video circulating on social media has accused the media of manipulating Himanshu Mishra during the Bhaiyaji Kahin segment, in which he was allegedly forced to cry for higher TRP ratings. The video originally aired in a report by Pratik Trivedi but went viral after being shared by podcaster Shalini Kapoor Tiwari.

Himanshu Mishra’s experience

Himanshu Mishra, a participant in the political talk show Bhaiyaji Kahin, claims he was coerced into crying on camera. According to the viral clip, the emotional display was orchestrated by the channel to boost its viewership. Mishra expressed that this incident exploited his vulnerability and raised concerns over the ethical standards followed by the media in sensationalizing news segments.

हिमांशु मिश्रा को कोसने के पहले ठहर जाइए, असल फ्रॉड उसने नहीं मीडिया वालों ने किया है।
शायद पहली बार ये लड़का भैयाजी कहिन, प्रतिक त्रिवेदी की रिपोर्टिंग में दिखा है। मगर वायरल पॉडकास्टर शालिनी कपूर तिवारी ने किया है।
पढ़ें,समझें कैसे इसको रुलाकर उसने अपना चैनल, करियर बना लिया है। pic.twitter.com/9TUyFvlUb8

— Samar Raj (@SamarRaj_) October 3, 2024

Media manipulation for TRP?

The video shows Mishra elaborating on how he was pressured to exaggerate his emotions. This accusation has sparked a debate about the lengths media outlets will go for ratings. Mishra's tearful moment is now being questioned, raising concerns about the authenticity of such segments. Critics are pointing fingers at the media for compromising integrity in exchange for TRP gains.

The role of social media

Podcaster Shalini Kapoor Tiwari played a key role in amplifying this controversy. By sharing the video on X, Tiwari helped expose the alleged behind-the-scenes manipulation. Social media has since erupted, with users questioning the ethicality of these actions.The revelation has reignited the debate about media practices in India, with many demanding more transparency and accountability in news reporting.